This isn’t the post I promised, but I didn’t want to let the month of May pass without sharing my thoughts on a rather timely Schumann song, the first of his Dichterliebe cycle, “Im wunderschönen Monat Mai” (“In the wonderful month of May”). One or two readers may even find this song particularly timely.
Now, I could almost get away with claiming that this was the post I meant to write, and that I had simply mixed up Schubert and Schumann. It’s arguably easy to do: their names share an initial syllable, they’re both German Romantic composers of…a bunch of things, including piano music, Lieder, chamber music, and symphonies; and Schumann was one of the first to “discover” Schubert (notably the “Great” C-major symphony), on one occasion writing one of his own works with a pen that Schubert had allegedly used.
But no one would actually believe me if I claimed that.
Not even if I pointed out that this post, like its would-have-been-predecessor, is also going to feature Schenker prominently. Even more specifically, is going to feature my disagreement with an analysis by Schenker.
All of that being, of course, a coincidence as timely as this song, and the other main coincidence of this soon-to-be-past month (about which more…next month).